michelangelo painting

michelangelo painting
These pictures were in water-colours. The first represented
clouds low and livid, rolling over a swollen sea: all the distance was
in eclipse; so, too, was the foreground; or rather, the nearest
billows, for there was no land. One gleam of light lifted into
relief a half-submerged mast, on which sat a cormorant, dark and
large, with wings flecked with foam; its beak held a gold bracelet set
with gems, that I had touched with as brilliant tints as my palette
could yield, and as glittering distinctness as my pencil could impart.
Sinking below the bird and mast, a drowned corpse glanced through
michelangelo painting
the green water; a fair arm was the only limb clearly visible,
whence the bracelet had been washed or torn.
The second picture contained for foreground only the dim peak of
a hill, with grass and some leaves slanting as if by a breeze.
Beyond and above spread an expanse of sky, dark blue as at twilight:
rising into the sky was a woman's shape to the bust, portrayed in
tints as dusk and soft as I could combine. The dim forehead was
michelangelo painting