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Tuesday, August 19, 2008

Leonardo da Vinci picture of last supper painting

devoted, methodical competence. He could say sarcastically, "The Colonel's really got a wild hair, ain't he?" but shrug his shoulders and grin, and by that ambivalent gesture sum up an attitude which only a professional soldier could logically retain: I doubt the Colonel's judgment a little, but I will willingly do what he says. He also shared with Hobbs, the radioman, some sort of immunity. And thus it had been last night, Culver recalled, that upon the Colonel's announcement about this evening's forced march—which was to take thirteen hours and extend the nearly thirty-six miles back to the main base—O'Leary had been able to give a long, audible, incredulous whistle, right in the Colonel's face, and elicit from the Colonel an indulgent smile; whereas in the same blackout tent and at virtually the same instant Mannix had murmured, "Thirty-six miles, Jesus Christ," in a tone, however, laden with no more disbelief or no more pain than O'Leary's whistle, and Culver had seen the Colonel's smile vanish, replaced on the fragile little face by a subtle, delicate shadow of irritation.
"You think that's too long?" the Colonel had said to Mannix then, turning

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